best pop vocal album 2016
We want to hear from you! The Best Vocal Jazz Albums of 2016. Send us a tip using our anonymous form. View reviews, ratings, news & more regarding your favorite band. When Staples sings in that wounded croak, “this little light of mine,” it’s hard to imagine anyone else so artfully distilling the darkness. On Cardinal, Hall’s plainspoken lyrics belie this epistemological headiness, but you can feel the compassion in their raw alt-country arrangements, in phrases that reach and erupt. It was a year to listen past the hits to hear what pop stars are all about. Watch videos, view photos more at GRAMMY.com. Artists have never had more ways to express themselves, from one-off Soundcloud singles to social media posts to live streams of video. © Copyright 2020 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC. With mixing by ace Chris Coady, the bid for professionalism paid off in a set of elegantly restrained, melancholic synth-pop tunes that showcase Maine’s aching falsetto. Though many artists draw their verses from lived experience, , there is something uniquely dour in Savage’s storytelling. A follow-up EP of, , further attests to the sturdiness of Maine’s craft. See the list of GRAMMY Awards Winners & Nominees for the Best Pop Vocal Album. The Monkees came back with Good Times, a hodgepodge where newer tracks by the likes of Weezer’s Rivers Cuomo and XTC’s Andy Partridge were mixed in with older offerings by longtime collaborators like Neil Diamond and the late Harry Nilsson.
–Noah Yoo, Vince Staples cites “Kurt Cobain dreams,” but the suicidal Nirvana frontman serves as a stand-in for anyone who ever felt the walls close in. And Pitbull teamed up with Enrique Iglesias for “Messin’ Around,” the front-runner so far for this year’s Most Unexpected REO Speedwagon Interpolation. The other is an ampersand. Swan Gallet/WWD/Rex The two biggest pop releases of 2016 came in the form of semi-sneak attacks from superstars whose boldface-name status transcends music. The album has never seemed stronger. His narratives are accented by the production’s rhythmic twitches; low, round bass buoys his flat, vocal fry monotone.
Endings require answers—or at least some gesture toward certainty. Kanye West, A Tribe Called Quest, David Bowie, Beyonce, Leonard Cohen, Radiohead, Bon Iver—who didn't release a record this year? Much has been made of how these tracks cut off abruptly, like the producer didn’t know how to end them.
Talk about "pop" usually means humongous hit singles, and 2016 sure had its share. A follow-up EP of Pool demos, Water, further attests to the sturdiness of Maine’s craft. Huerco S.’s ambient album For Those of You Who Have Never (And Also Those Who Have), was this year’s great salve. Other festival-fillers came on strong as well. It’s consistently jarring, but it also makes sense. Send us a tip using our anonymous form. Rihanna made one of 2016's best pop albums. As Frankie Cosmos, her muses include New York City, animals, the touring life, memories, friends, growing up—big topics that she distills with a few carefully chosen words and notes and sounds. Rapper 21 Savage and producer Metro Boomin’s Savage Mode is a heavy, dark collaboration between these two young Atlanta stars. Rihanna’s Anti, which arrived rather suddenly in January after a relatively long wait for the Barbadian superstar, was a taut offering that showed Rihanna working her voice in new ways (as on the torchy “Love on the Brain”) and dominating all who came near her (like overpowering Drake on the sinewy “Work” or setting highways aflame on “Desperado”). Kristin Kontrol, the new alias of former Dum Dum Girls mastermind Kristin Welchez, put out X-Communicate, which swapped out her former band’s swirl of guitars for otherworldly synths.
Here’s How to Make Sure Your Vote Counts, Trump Will Declare Victory Before All Votes Are Counted, Report Says. © 2018 Condé Nast. Yet in this world of plenty, they’ve continued to keep the album in an exalted place, one where they make a bid for serious amounts of their audience’s fractured time. –Ryan Dombal, Listen: Frankie Cosmos: “Outside with the Cuties”, On A Good Night in the Ghetto, the young Oakland MC Kamaiyah captures lightning in a bottle. Lizzo‘s boisterous “Good As Hell,” produced by omnipresent 2016 producer Ricky “Wallpaper” Reed,” is a straight-no-chaser shot of self-confidence with a call-and-response chorus. Guitar-based music has largely been absent from Top 40 playlists, but artists operating in the pop-rock idiom had fun pushing forward. –Matthew Ramirez.
–Erin Macleod, Since Aaron Maine began releasing music as Porches, his style has evolved from down-home alt-country, , Porches’ second album and first on the indie mainstay Domino Records, was another shift, diving headlong into the lacquered keys and prickly guitars of quintessential ’80s pop in a way that recalls circa-2009 chillwave. It evoked that liminal state between awake and asleep, when your whirring brain slows down enough to let your body rest. On “Ain’t Too Hard” he raps, “Sometimes emotions get the best of me clearly/And I ain’t never try to straddle no fences.” May he never aim for the middle ground. These are the best albums of 2016. But the full-length pop album was as healthy as ever, showcasing veterans like Rihanna and Britney Spears at their most revealing, and allowing a newer star like Tove Lo to come into her own. She enlisted a murderers’ row of collaborators while embracing spite (the Jack White-assisted “Don’t Hurt Yourself”) and tenderness (the wedding-dance-in-wait “All Night”) with equal vigor. Kitten, the project of Los Angeles singer Chloe Chaidez, got fuzzy on Heaven or Somewhere Like It, highlighted by the storming “Fall On Me” and the holy-water-dipped “Church.” New Romantic pioneers ABC, meanwhile, celebrated their 1982 breakthrough with a straight-up sequel, The Lexicon Of Love II, that showcases frontman Martin Fry’s floppy-collar grandiosity. Gorgeous synth strings, blocky piano chords, and vast harmony stacks lift her powerful, baroque voice.
Front Row Seat to Earth has many of these moments, where Mering’s vocals and arrangements coalesce into a melancholy, beautiful cry to the heavens—not a plea to a higher power, but a declaration of worthiness in the present day. Your California Privacy Rights. Sign up for our newsletter.
This record presents a slow burn and a singular mood: grim music for grim times.
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There's even a heartstopping saxophone solo. But like the genre it takes its name from, Modern Country is extremely accessible. But when that certainty is impossible, For Those Of You Who Have Never (And Also Those Who Have), Frankie Cosmos: “Outside with the Cuties”, For Those of You Who Have Never (And Also Those Who Have). Kamaiyah chronicles her young life via a series of drunken and stoned nights (“Out the Bottle”) and a supply of sexual conquests (“Niggas,” “Break You Down”) that are notable in how bold and plainspoken she is about them. Confident and nuanced, it’s a self-contained piece of Bay Area hip-hop with clear lyrical nods to Too $hort, as the funkified, fleshy beats recall DJ Quik. Though many artists draw their verses from lived experience, there is something uniquely dour in Savage’s storytelling. The Montclair, N.J. group Pinegrove have two logos: one, a small box intersected with an identical box, is favored among their legions of young and tattooed fans, as evidenced in an endless stream of RTs on the band’s page. These Sites Are Delivering Booze for Your Election Night Parties (or Post-Election Blues), Eminem Lends ‘Lose Yourself’ to New Joe Biden Campaign Ad, Video: Trump Supporters Allegedly Tried to Run Biden Bus ‘Off the Road’, Trump Brags About Supporters Harassing Biden Campaign Bus, Don’t Panic If You Missed the Mail-in Ballot Deadline. Ad Choices. It’s a remarkable accomplishment for an album with no featured guests, apart from the Ty Dolla $ign/Trey Songz/Jamie Foxx trifecta on the bonus track “Jam.” It’s all Gates, a summation of his career that pushes him into new but logical directions. Pinegrove songs are appealingly episodic. Much has been made of how these tracks cut off abruptly, like the producer didn’t know how to end them. But when that certainty is impossible, For Those… acts as an antidote. Guitar-based pop stood firm too, from those wry kids in the 1975 to those spunky old-timers in the Monkees. –Marc Hogan, Greta Kline is the girl on the F train scanning the subway car’s bounty for inspiration, scribbling her thoughts in a notebook. Prima Donna is existentially trapped music—when you’re too wealthy to complain but branded a consumer product, forced to answer condescending questions, and smile for inane selfies. Both were also big releases for Tidal, the streaming service that launched in the U.S. in 2014 — both stars have ownership stakes in the service. Bay Area producers such as P-Lo, 1-O.A.K., and Trackademicks blend new jack swing and radio R&B samples for this young, agile rapper. Unlike his more self-pitying peers, Staples lucidly dissects his psychological disintegration. Rihanna made one of 2016's best pop albums. At once too-much-coffee intense, disarmingly gentle, and unfashionably sincere—often all at the same time—Islah is a lot to take in, but having zero chill is one of Gates’ greatest strengths.
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