the crown season 2, episode 3
Will being an HRH be enough to make Philip happy? Rather than spend time naming Eden’s successor, Elizabeth must deal with the implications of Mike Parker’s divorce and the irritating headlines that will ensue (and directly affect her) from his infidelity. But she writes him a sweet letter in return, filled with things he can’t read to his fellow bros on board. Philip: zero. ), Philip gazes at her. The task of telling the queen about the split goes to Michael, who warns her that no matter how blameless she and Philip are, because of Mike’s close proximity to her and the duke, they should expect some newspaper headlines about the state of their own marriage. The answer basically boils down to respect and wanting more of it. The duke asks for Mike’s resignation ASAP to avoid further scandal and tells him “There is no room for humanity” before casually dropping him off in the nearest harbor. Here Are All the Costumes Celebs Wore to Their At-Home Halloweens, Hugh Jackman, Stephen King, and Others Mourn Sean Connery, ‘the Only Bond’. The singer finished third on the show’s debut season behind Kelly Clarkson and Justin Guarini. Not selfish, not cruel, just utterly clueless. It’s Philip, however, who goes over to Mike’s for some whiskey and girl talk. Has she come to accept how little power she has to change anything, so she just shrugs and moves on? His return from those three weeks he spent in Jamaica for his health (I’d love to try that, please) is met with a cold reception from his cabinet and party, who want him out for damaging the country’s international reputation and cutting out in the middle of an economic and diplomatic crisis. He hates himself for needing the title, and he realizes it won’t actually fix anything, but he still wants it anyhow, and hates himself for that, too. But their reunion isn’t a warm one: Elizabeth stares him down, rebuffs a kiss, gives a “shall we?” before they go out to face photographers, which still doesn’t quell rumors of a rift between them. Create one here. Meanwhile, it’s fitting that Mike — who was writing all these letters he shouldn’t have — gets news of his own divorce via telegram, which means he has to tell Philip about it and the letters, and now Philip knows that his wife knows about it. “You people aren’t even remotely aware of the cost of the damage to families and marriages in your service,” she tells her. Season 2 Episode 3. Entertainment Weekly may receive compensation for some links to products and services on this website.
Eileen isn’t interested in a trip down nostalgia lane and shows Elizabeth the letter from Mike bragging about his escapades. He shouldn’t need any of this, but apparently he does, so now she’s forced to try to fix their marriage with a gruesomely public display. The headlines soon die down in local newspapers, but speculation is growing abroad, and the royals know that cutting Philip’s trip short would only fan the flames. My entire adult life has been favors to you people.” Eileen’s fury and frustration and sadness are so palpable and righteous, and when Elizabeth tentatively asks if she could just hold off for a little while longer, the question comes off as astonishingly tin-eared. Cary Elwes, Edgar Wright, and more pay tribute on social media. Entertainment Weekly is a registered trademark of Meredith Corporation All Rights Reserved. So Elizabeth grants him the Letters Patent that give him the title of prince, providing him higher standing within the palace. The catchiest song about voter suppression you’ll ever hear. Sign up for PureWow to get more ideas like these (It’s free!). Prime Minister Anthony Eden (Jeremy Northam) returns from Jamaica with a slight tan and a bone to pick. Eileen is sketched with firm, clear lines; we see how frustrated she is, and we understand exactly her motivations.
Nonetheless, Elizabeth opts to keep her marriage intact by granting Philip a golden goose the title of Prince of the U.K. and Northern Ireland. The announcement does go public, with numerous front pages splashed with news of the Parkers’ divorce, and Elizabeth is left to deal with the fallout without a partner beside her. The other strength of this episode is its portrait of Eileen Parker, which culminates in the scene between her and Elizabeth in her home. All we hear from her on the subject of parenting is that it’d be nice to put a portrait of Philip in the kids’ room so they remember what he looks like.
What a fascinating observation! Soon enough, he’s informing the queen of his resignation, and while she admits to thinking he made some missteps (that’s putting it lightly) she’s also sympathetic to him spending so long in Winston Churchill’s shadow and wanting to do something big to step out of it. But it still hasn’t quite pulled off an intimate portrait of Elizabeth. *Sorry, there was a problem signing you up. Mike points out that Elizabeth might want a few kids who she doesn’t view as mortal threats, because as the heir to the throne, Charles represents her death.
John Mulaney continues his hosting streak with a show that strikes a nice balance between electoral politics and sheer escapism. For decades, the late Scot’s gruff charisma and dashing looks ruled the silver screen. Instead, they decide to send Elizabeth to Lisbon a day early to meet him for a reunion photo call. The best, dishiest, most insightful details are about the workings of the Crown itself: Philip has a fit and Adeane ends up shaving his mustache, the marital relations of a private secretary end up sparking rumors about the royal marriage, the onslaught of secretaries and the minute balances of power and Charles having closer proximity to the crown than his own father, and so on. The kids may not get to spend much time with Philip, but viewers of The Crown sure do! Together, it was supposed to add up to a nuanced portrait, but it felt more like a mixed bag. And it has indeed. The blissfully ignorant Mike is finally confronted with the issues in his marriage and is informed of his wife’s plan to leave him. Had she forgotten about the ballerina? To make a sticky situation worse, Mike Parker’s (Daniel Ings) divorce is totally on, which means Philip (Matt Smith) is about to have his name dragged through the mud as well. But that’s how his life goes. Elizabeth visits Eileen Parker and reminds her of how they used to go grocery shopping together on Malta. His lengthy shaving scene is another winner, and it seems expressly designed to cover Matt Smith’s face with beard and shaving cream, and then cut to the reveal of his bone structure, like the episode is opening a present for us. He then stomps over to see the queen at Sandringham and vent, but he’s met by an angry mob instead of a sympathetic Liz.
The late actor’s ability to deliver the perfect rejoinder shaped both the Bond franchise and genre cinema at large. Which means #TaylorIsFree.
© 2020 Vox Media, LLC. As Elizabeth sees her husband for the first time in months, she tersely informs him they’ll talk later (you know what that means, Philip) before heading out to be photographed together—all smiles, of course. But his attempt to “run into” Eileen Parker in a local park (casual, dude) doesn’t deter her from wanting to move forward. The guy should have just stayed in Jamaica... Elizabeth admits she felt the decision to go to war was rushed, but she understands his frustrations of trying to live up to the legend that is Winston Churchill (John Lithgow).
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