patricia hayes photography
Her recent research has dealt with photography and history in South Africa, especially under the apartheid period. See what Patricia Hayes (brownnev1983) has discovered on Pinterest, the world's biggest collection of ideas. © 2007 University of Western Cape You can spend money on skin care that doesn't work or you can read this step by step guide on what are the anti Hayes provides contextualizing essays to the photos and comments between herself and John Liebenberg about the war. As part of the Communicating the Humanities research project, The CHR Documentary film class was in conversation with film editor and CHR Artist in Residence, Khalid Shamis, and film director Sara DF De Gouvia, about their award winning film The Sounds of Masks. It is committed to excellence in teaching, learning and research, to nurturing the cultural diversity of South Africa, and to responding in critical and creative ways to the needs of a society in transition. Time: 2 pm, Discussant: Paul Landau (Department of History, University of Maryland, USA). Login via your Patricia Hayes (DST/NRF SARChI Chair in Visual History and Theory, Centre for Humanities Research, UWC) Empty photographs: Ethnography and the lacunae of African history Date: Tuesday, 16 August 2016 Venue: Centre for Humanities Research, Seminar ‘Visual emergency?
Stay up to date with the latest news and developments from the Centre for Humanities Research. ... See MoreSee Less, Sets & Devices | The Centre for Humanities Research, Join us on October 30th, 3pm (GMT+2) for the fourth Other Universals Consortium webinar titled 'Decolonizing Theory: Thinking Across Traditions' with Aditya Nigam.To register: bit.ly/OUDecolonizingTheoryRequired reading: bit.ly/Decolonizing-Theory-ReadingVisit our website for more details: buff.ly/33xGzqe ... See MoreSee Less, The CHR's Aja Marneweck, with Nataniël Pokwas and Selanvor Platjies from Net vir Pret, the CHR's partners in the annual Barrydale puppetry production performed at the Brighton Fringe festival as part of the Imaginary Futures International arts project.buff.ly/2JboYwB ... See MoreSee Less, In case you missed Friday’s Ambivalent: Photography and Visibility in African History, Book Launch you can catch it on:Mixcloud: buff.ly/3dXnMZ6YouTube: bit.ly/Ambivalent-Book-Launch-YT ... See MoreSee Less. Patricia Hayes is a professor of the University of the Western Cape who focuses on various subjects tied to colonial photography.She has done work on colonial Namibian history and is currently researching political and documentary photography in South Africa while teaching African History, Gender and History, and Visual History. Please note that this paper will not be electronically circulated, unless by special request. South African Contemporary History and Humanities Seminar, Patricia Hayes (DST/NRF SARChI Chair in Visual History and Theory, A limited edition photobook by Kim Gurney Patricia Hayes is a lecturer and a historian of southern Africa, specialising in photographic archives and the inter-disciplinary problems they pose. In case you missed Friday’s Ambivalent: Photography and Visibility in African History, Book Launch you can catch it on: Mayday – Decolonisation: power and the public space, ASA Book Prize Finalist: Elizabeth Giorgis, NRF SARChI Chair in Visual History and Theory. Patricia Hayes, ‚’Sankuru,Katako Kombe’ & ’Crânes d’Eléphants envoyés au Musée’, in Carl De Keyzer & Johan Lagae, Congo belge en images (Lannoo: Tielt, 2010). Kronos: Southern African Histories is published annually by the Dept of History and the Centre for Humanities Research at UWC. It is an accredited South African journal that aims to promote and publicise high quality historical research on southern Africa. See what Patricia Hayes (patriciahayes71) has discovered on Pinterest, the world's biggest collection of ideas. Patricia Hayes is a professor of the University of the Western Cape who focuses on various subjects tied to colonial photography. She is now working in the History Department at the University of the Western Cape in South Africa.
This time in virtual space and on participating devices across Bloemfontein, South Afr... Join us on October 30th, 3pm (GMT+2) for the fourth Other Universals Consortium webinar titled 'Decolonizing Theory: Thinking Across Traditions' with Aditya Nigam. Bush of Ghosts is a photographic narrative that uses co-author John Liebenberg's photos, taken between 1986-1990, of the Border War between South Africa and Namibia. Read Online (Free) relies on page scans, which are not currently available to screen readers. All Rights Reserved.
[3] She is currently running the Visual History research project at the University of Western Cape. Power A tremendous shattering of tradition (Walter Benjamin) The sea brought photography to South Africa and the Fusion and fragmentation in South African photography of the 1980s’ in Camera Austria, Vol 100/2007, 18-22. ‘Northern exposures: the photography of C.H.L. ©2000-2020 ITHAKA. [2], Hayes guest edited journal issues on visuality and gender in African history, such as Kronos in 2000 and Gender & History in 2006. The journal also encourages comparative studies and seeks to break new ground in its dynamic integration of visuals and text. Her current research is on political and documentary photography in … Centre for Humanities Research, UWC), Empty photographs: Ethnography and the lacunae of African history, Date: Tuesday, 16 August 2016 This page was last edited on 14 August 2020, at 03:15. This project focuses on Southern African documentary photography. The University of the Western Cape is a national university, alert to its African and international context as it strives to be a place of quality, a place to grow. COVID-19 Corona Virus South African Resource Portal, © 2017 The Centre for Humanities Research. With a personal account, you can read up to 100 articles each month for free. Request Permissions. [4] The Colonizing Camera was shortlisted for the Sunday Times Alan Paton Award in 1998 when it was published.[5]. As a continuation of the award-winning participatory film and performance events in 2018 Sig/Sight and 2019 The Vertical Journey, Marcus Neustetter returns with a third reimagined experimental performance in 2020.
Dr Kim Gurney, Next Generation scholar at the CHR, has created a limited edition photobook about life in the artisanal workshop of Sets & Devices in Salt River, Cape Town. The Colonising Camera: Photographs in the Making of Namibian History (Cape Town, Sets & Devices (2020) Landscape A4, hardcover embossed, 170gsm Premium Coated Matt paper, 40pp. Hard copies of the paper are available and can be collected from the History department. Gathered In My Name is a spiritually-themed fine art giclee perfect for any room.
She teaches African history, gender & history, and visual history. Kronos
For terms and use, please refer to our Terms and Conditions ‘The form of the norm: spectres of gender in South African photography of the 1980s’ in Social Dynamics Special Issue on Scripted Bodies, Spring 2011.
Venue: Centre for Humanities Research, Seminar Room [6], "New From Umuzi: Bush of Ghosts: Life and War in Namibia 1986-90", "Aktuelle Fellows: Prof. Dr. Patricia Hayes", https://en.wikipedia.org/w/index.php?title=Patricia_Hayes_(historian)&oldid=972850537, Creative Commons Attribution-ShareAlike License. Designed By, Aesthetic Education and the Becoming Technical of the Human, NRF SARChI Chair in Visual History & Theory, Fellowships and Bursaries in Visual History and Theory, Postgraduate Module In Visual History 2020-21, Andrew W. Mellon Chair of Aesthetic Theory and Material Performance. Power, Secrecy, Proximity: A Short History of South African Photography PATRICIA HAYES History Department, University of the Western Cape I. Interdisciplinary Approaches (New York: Springer, 2009). As part of the Communicating the Humanities research project, The CHR Documentary film class was in conversation with film editor and CHR Artist in Residence, Khalid Shamis, and film director Sara DF De Gouvia, about their award winning film The Sounds of Masks.buff.ly/2HLakf4 ... See MoreSee Less, Share on FacebookShare on TwitterShare on Linked InShare by Email, Dr Kim Gurney, Next Generation scholar at the CHR, has created a limited edition photobook about life in the artisanal workshop of Sets & Devices in Salt River, Cape Town. She has been awarded the Vice Chancellor's Teaching Award at the Western University of Cape Town. The CHR's Aja Marneweck, with Nataniël Pokwas and Selanvor Platjies from Net vir Pret, the CHR's partners in the annual Barrydale puppetry production performed at the Brighton Fringe festival as part of the Imaginary Futures International arts project. All Rights Reserved. In line with protocols introduced by government towards the prevention and containment of the COVID-19 virus, the CHR suspended its public events, seminars, and general fellowship program until further notice. She worked briefly in the United States in 1992 and 1993 and has held fellowships in the UK, USA, and Brazil. institution. JSTOR®, the JSTOR logo, JPASS®, Artstor®, Reveal Digital™ and ITHAKA® are registered trademarks of ITHAKA. ‘A Land of Goshen: Landscape & Kingdom in 19th century Eastern Ovambo, Northern Namibia’ in Michael Bollig & Olaf Bubenzer (eds), African Landscapes. [1], Hayes was born and raised in Zimbabwe. The Colonizing Camera: Photographs in the Making of Namibian History is a book that Hayes helped write on colonisation within Southern Africa.
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